Weblog von thomas

Euch erwartet experimentelle dub musik von diesen beiden projekten. Discogs schreibt über nocturnal emission: "
Nocturnal Emissions is a sound art project that has released numerous records and CDs in music styles ranging from electro-acoustic, musique concrete, hybridised beats, sound collage, post-industrial music, ambient and noise music. The sound art has been part of an ongoing multimedia campaign of guerrilla sign ontology utilising video art, film, hypertext and other documents.

Das label schreibt: "After a longer break, we return to the GT Archive Series, in which we release those GENETIC TRANSMISSION materials that were previously released mainly on quite fragile CDR media which are practically unavailable today. So far, eight regular titles from the extensive discography of Tomek Twardawa have been published.

Euch erwartet noisige e-gitarrenimprovisation mit saxephon. Über Michel Henritzi schreibt discogs u.a.: "Michel Henritzi was born in Metz, France (1959), where he lives and works. He was involved in different industrial and rock bands in the late 70s, before collaborated with the collective Nox (Nox (2)). In 1984 he created a cassette label, AKT Production. He also collaborated with American writer Kathy Acker in 1986 on a lecture recording.

Diesmal wieder mit einem livekonzert im studio mit Helge S. Hammerbrook. Er schreibt über sich selbst: "Der Musiker kreiert aus atonal-rythmischen Elementen und schweren treibenden Beats, sowie geräuschhaften loopflächen, eine druckvoll verdichtete Klangwelt.
Originale Fliegerbombentrümmer verdichten als glockenhaft anmutende Klangkörper die Komposition zu einem düsteren, maschinenhaft anmutenden Sound.

Sie schreiben: "With the longest of the three pieces on this album clocking in at 35 minutes, one is reminded of the Zen teaching famously quoted by John Cage: “If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two.

2-hours of live experimental/electronic/noise/collage/improv by the folks who bring you Big City Orchestrae & UBUIBI (www.ubuibi.org). Netcast on DFM Radio Television International (www.dfm.nu), 23 November 2014. Special Guest: skozey fetische / celebrating the 23rd Anniversary of their "momma:key" release.
Kontakt: thomas [at] fsk-hh [dot] org

Discogs schreibt: "Early ritual industrial project of Michael DeWitt (Nekrophile Records). Only "The Secret Eye of L.A.Y.L.A.H." and a few compilation tracks were ever recorded. A planned release of a musical/ritual rendition of The Book Of The Law was planned, but only one track ended up being completed."
Kontakt: thomas [at] fsk-hh [dot] org

Kleistwahr ist das soloprojekt von Gary Mundy (Ramleh). Euch erwartet noiseiger, mit e-gitarren produzierte elektronik.
Kontakt: thomas [at] fsk-hh [dot] org

Das label schreibt: "At the same time, together with "News From Wormland" another, tenth part of the GT Archive Series is being relesed. As next chapter is a recording of the "White Nights" session, originally released on CDR by Die Schöne Blumen Musik Werk in 2003. It is considered by many to be one of the best albums in the GENETIC TRANSMISSION discography. Dynamic, electrifying and strong material in the spirit of musique concrète.

Das label schreibt: "Field recordings made in Rotterdam, Breda, and Antwerp early 2022 and Groot Ammers summer 2021
Additional processing, (soft)synths and mixing may-august 2022.