Musikredaktion

Progressive Rock, Hard Rock und Metal - Euch erwarten viele Neuerscheinungen, erlesene Klassiker und exklusive Interviews aus diesem musikalischen Spektrum. Weiteres zur Sendung findet Ihr unter: www.rockbottom-music.de

Stunde 1: Coverversionen, die so ganz anders (und oft besser) sind als die Originale.
Stunde 2: Lieder vom Krieg - wie der russische Angriffskrieg in ukrainischer Rockmusik verarbeitet wird.
Tracklisten, Links auf Youtube-Videos der gespielten Titel und auch Youtube-Playlists zu den Sendungen gibt es hier: https://deutsch-ukrainischer-kulturverein.de/radio-dobroho-waetschora-au...

Stunde 1: Lieder vom Krieg - wie der russische Angriffskrieg in ukrainischer Rockmusik verarbeitet wird.
Stunde 2: Post Folk, Teil 3 - noch mehr Musik mit folkloristischem Material oder Stilelementen.
Tracklisten, Links auf Youtube-Videos der gespielten Titel und auch Youtube-Playlists zu den Sendungen gibt es hier: https://deutsch-ukrainischer-kulturverein.de/radio-dobroho-waetschora-au...

Flamenco sounds der Spitzenklasse.

Das label schreibt: "Soundscapes of Conflict: juxtaposing the roar of jet engines - with more serene or harmonious elements, a contrast provoking reflection on the human cost of conflict and the resilience of the human spirit. The tension between sound as a source of beauty and expression and sound as a tool of destruction, recordings of machinery from war zones into musical compositions, using dissonance and discord to convey the chaos and brutality of war."

Das label schreibt: "A brand new album from the project transformed from its parent group by pioneers of the industrial scene, Kevin Tomkins and Paul Taylor (ex-SUTCLIFFE JUGEND).
"Cute" is 11 premiere tracks characterized by a massive, sharp sound like a surgical scalpel and an equally strong message to which the British duo has managed to get their fans used to over the years of their activity. We are dealing here with music that fits the aesthetics of Power Electronics with influences from other industrial genres, and also composed and produced at a high level, refined in every detail and recorded with particular attention to the final sound.
A must-have for both fans of the band and those looking for intense, expressive and unique art based on sound and words."

Das label schreibt: "With "Ein Bündel Fäulnis in der Grube", Holger Hiller presented his solo debut having left Palais Schaumburg. Originally released in 1983 on the Düsseldorf scene label Ata Tak, an international release followed in 1984 via Cherry Red Records. Combining electronic sequencer sounds and sampling fragments with unconventional lyrics its multidisciplinary approach locates it somewhere between the pop and avant-garde. Bureau B is now making the work accessible again on its 40th anniversary."

Das label schreibt. "“Friendly Electrons” presents the electronic side of the original TON STEINE SCHERBEN drummer, book author and longtime CONRAD SCHNITZLER friend / collaborator WOLFGANG SEIDEL.
Born in winter 1949 in a grey and gloomy post-war Berlin, WOLFGANG SEIDEL’s first encounter with electronic sounds was at the cinema: the music for “Forbidden Planet“ by LOUIS and BEBE BARRON sounded like the promise of a bright, exciting future … but in the 1960‘s, the biggest thing for young musicians was to play in a rock band, and as the friends around him all already played guitar, SEIDEL chose the drums and later co-founded TON STEINE SCHERBEN, the legendary German anarchist band. Around the same time, SEIDEL regularly attended the Zodiak Free Arts Lab, the birth place of so-called “Kosmische Musik / Berliner Schule“ (TANGERINE DREAM, CLUSTER, MANUEL GÖTTSCHING etc), and became close friends with CONRAD SCHNITZLER. Realizing how much more artistic freedom electronic music offers, he grew tired of playing the same songs night after night, left the band after their debut album had been released and started experimenting with contact microphones and tape delay (and later, when he could afford one, with a Buchla synthesizer)."

Das label schreibt: "An anthology of the intensely arresting work of Robert Fesler (1936-2023), revealing many of his compositions (1975 -1987) created with his self-built synthesizers, with as pinnacle the μP RPF78.
Except one, all tracks are previously unreleased.
With profound simplicity and devotion, Fesler paints a hermetic inner world with strong emotions of confronting solitude, sensual alienation and traumatic angst. His music was as much a therapeutic treatment as an artistic expression. Fesler quotes, "Building my synthesizers and working with them enabled me to sublimate my anxieties".
Most tracks were played and recorded real time, often with two synthesizers (the Synthese 756 and the μP RPF78), capturing the heat of the moment in one take, without multitracking. The austere and reductionist approach reinforces the overall spirit of his work, resulting in an engaging, mysterious solitary journey.
It’s quite incredible how one person can put so much technical cerebral content in the development of a machine and use it in such an emotional way. "

2-hours of live improvised experimental radio sound-art broadcast live from the Chakra Chimp Research Kitchens of Northern California-land.
UB Radio Salon #851 - Netcast on DFM Radio TV International (www.dfm.nu) DFM RTV INT • 5 MAY 2024 • experimental sound session... on DFM.nu